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American Life in Poetry: Column 014

by Ted Kooser, U. S. Poet Laureate

30 June 2005

Often everyday experiences provide poets with inspiration. Here Georgiana Cohen observes a woman looking out her window and compares the woman to the sunset. The woman’s “slumped” chin, the fence that separates them, and the “beached” cars set the poem’s tone; this is clearly not a celebration of the neighborhood. Yet by turning to clouds, sky, and breath, Cohen underscores the scene’s fragile grace.

Old Woman in a Housecoat

An old woman in
a floor-length housecoat
has become sunset
to me, west-facing.
Turquoise, sage, or rose,
she leans out of her
second floor window,
chin slumped in her palm,
and gazes at the
fenced property line
between us, the cars
beached in the driveway,
the creeping slide of
light across shingles.
When the window shuts,
dusk becomes blush and
bruises, projected
on vinyl siding.
Housecoats breathe across
the sky like frail clouds.

Reprinted from Cream City Review, 2004, by permission of the author, a writer and journalist living in Boston. Poem © 2004 by Georgiana Cohen. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska, Lincoln. This column does not accept unsolicited poetry.


About the Author

Ted Kooser was born in Ames, Iowa, in 1939. He is the author of a number of collections of poetry, including Flying at Night (University of Pittsburgh Press, 2005), Delights & Shadows (Copper Canyon, 2004), and Sure Signs (1980). His nonfiction books include The Poetry Home Repair Manual: Practical Advice for Beginning Poets (University of Nebraska Press, 2005) and Local Wonders: Seasons in the Bohemian Alps (University of Nebraska Press, 2002).

Kooser is the U. S. Poet Laureate (2004-2006) and a professor in the English Department of the University of Nebraska-Lincoln. He lives on an acreage near the village of Garland, Nebraska, with his wife Kathleen Rutledge, the editor of the Lincoln Journal Star.

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